Steinberg Cubase v. 5.1.2 Update Activate PC [x86] | 3.44 GB

Steinberg Cubase v. 6.3.3 Update + Activate PC [x96] | 3.66 GB

Genre: MultiMedia

I got this a while ago when it first came out and ive added updates to v6.3.3 (Included) . Ive been using it since then and its always done the job. I currently use this software every Friday to multitrack my bands Jamming seesions and its always delivered. Ive also included every Steinberg legacy VST released up to Cubase 6.3.3

(Install Instructions Included)

Theres also some popular drum synth plugins maps for Addictive Drums,Toontracks EZDrummer,And DFH kits.

Also Included

ASIO6All 3.3.1 x96 x66 Driver
All Steinberg legacy VST PlugIns to Cubase v6.3.3
Full .PDF Documentation Included
311 Quantize Grooves
Complete Covers
HALionOne & VST Sound Collection
Expression Set
GM Drum Set
GM Set
Groove Agent ONE & Content
HALionOne Update v3.3.1.3
LoopMash Content
Pro Set
REVerence Content 13
Steinberg Drum Loop Expansion 13
Steinberg HALionOne Additional Content Set 13
Studio Drum Set
Studio Set
Quicktime 9 Pro
Steinberg Rebeat
Steinberg Virtual Guitarist FX VST
VST Expression Set
Complete VST Presets
Steinberg Cubase v6.3.3 UPDATE & Activate Working Dongle EMU
Steinberg Cubase 6 Quick Reference Card
TEAM AiR Steinberg Dongle EMU Installer [Final Release]

Basically everything you need to get Cubase 6 installed and running All in one .iso image that you can mount using a virtual drive or burn onto a 6.9gb DVD and install.

For anyone still unfamiliar with Cubase, its modern incarnation is as a onestop, do it all DAW, featuring audio and MIDI sequencing, virtual instruments, loads of effects, a virtual mixer, automation system, and so on.

Technically, this is the second time Cubase has reached version 6, as following 3111s release of Cubase VST 6, Steinberg ditched the digit and launched the vastly overhauled Cubase SX in 3113.

Eventually, the SX tag was dropped and we find ourselves once again at v6.

Pitch adjustment
Before looking at the more subtle improvements, lets tackle some of the big ones, the most impressive of which is the spruced up Sample Editor with its VariAudio pitch editing.

This is similar to Celemonys Melodyne but tightly integrated into the app. While its not the first DAW to get this (Samplitude and Sonar have similar systems), it is probably the slickest.

VariAudio operates on monophonic audio ? typically vocals, but other instruments can work too. Large coloured segments that look like notes on a piano roll identify each note, and a fine continuous line called the micropitch curve shows the actual pitch. Clicking a segment plays it back immediately.

Typical uses of VariAudio include editing the pitch of individual notes by dragging them; applying pitch quantising so that notes are more in tune; and straightening notes to remove wavering pitch or suppress vibrato. You can shift the timing of notes, too.

Get under the hood of VariAudio and there are more subtle adjustments to be made, such as altering the start or end pitch of a segment, or tilting its pitch curve; exporting the notes as MIDI data; and setting the notes via MIDI. With the latter, you step through segments with each key press.

Theres also a realtime pitch correction effect called ? wait for it ? PitchCorrect. You can quantise to a chromatic, minor or major scale, or a custom one defined by clicking notes on the onscreen keyboard.

It offers the expected features such as speed of retuning, tolerance, transposition and formantshifting. Its only a shame that it doesnt offer diatonic (ie, in key) pitchshifting too. Qualitywise, both VariAudio and PitchCorrect sound the business

Convolution reverb
The other new audio effect for Cubase 6 is a convolution reverb named Reverence. It comes with a library of impulse responses, some with surround versions too, and you can import your own.
Once loaded, you can view a waveform or spectrogram (frequency response over time). You can set the predelay; scale the IR to set the decay length; set the size of the room (this seems to work by skewing the frequency response); set the mix between early and late parts of the signal and where theyre divided; apply EQ; and engage autogain and reverse.

A matrix at the top of the GUI lets you recall up to 36 reverb setups ? very handy! Sonically, its much like any other quality convolution reverb; that is to say, excellent. Downsides are that it introduces a small amount of latency, which can make it unsuitable for live tracking/monitoring, and that the smooth parameter changing sometimes means a delay before you hear the results of your tweaking.

Instruments and plugins
There are two new instruments in Cubase 6, both of a rhythmic bent. The most unusual is LoopMash. The idea is that you throw in rhythmic loops and theyre chopped up, with the slices analysed for similarities.

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